タグ別アーカイブ: Billy Taylor

大阪ジャズ同好会第41回(2020年2月9日) ②特集「中間派テナー、バディー・テイト、ドン・バイアス、ラッキー・トンプソンの名演』

February 11,2020

特集「中間派テナー、バディー・テイト、ドン・バイアス、ラッキー・トンプソンの名演』

担当 竹村 功氏

以下、当日配付されたレジュメに記載されたコメントを編集せず転載いたします。尚、録音データ並びに写真についてはブログ作成者が追加した項目もございます。

(1)ドン・バイアス(1912~1972)
オクラホマ州出身、1937年にニューヨークに進出し、各バンドを経て1940年にカウント・ベイシー楽団に入ります。その後、ミントンズ・プレイハウスでビバップの洗礼を受けます。1946年に、ドン・レッドマン楽団で渡欧した後、そのままパリに拠点を移します。ジャズメッセンジャ ーズの一員として来日経験があります。

1.「I Got Rhythm」
Don Byas (ts) , Slam Stewart (b)
Concert “Town Hall”, New York, June 9, 1945

タウンホールでの、ベースだけをバックにした歴史的な演奏です。

2.「I can’t Get Started」

Don Byas (ts), Fats Sadi (vib), Maurice Vander (p), Pierre Michelot (b), Benny Bennett (ds)
Paris, France, May 10, 1955

欧州では、たくさんの名演奏を残しています。

3. 「I Remember Clifford」
Don Byas (ts),Bud Powell(p) ,Pierre Michelot(b), Kenny Clarke(ds)
Paris, France, December 15, 1961

キャノンボール・アダレーが、プロデュースした名作。貴重なパウエルとの共演です。

4. 「All The Things You Are」
Don Byas (ts) Bent Axen (p) Niels-Henning Orsted Pedersen (b) William Schiopffe (d)
Live (!), Copenhagen, Denmark, January 13 & 14, 1963

ブラック・ライオンレーベルのワンホーンです。

Photo by Wikipedia

(2)ラッキー・トンプソン (1924~2005)
サウスカロライナ州出身、1943年にニューヨークに進出。カウントベイシー楽団に参加します。1946年のパーカーのダイアルセッションや、マイルスの「ウオーキン」、ミルト・ジャク ソンとのサヴォイ・セッションは有名。1956年に、パリに移住し、その後は、米国と行っ 来たりします。70年代にフュージョン系の作品を吹込みますが、やがて大学で指導するも音楽界から離れ、ホームレス生活やアルツハイマー病を患ったりします。全盛期は1950年代で、レスター ・ヤングとホーキンスのいい所を合わせたテナーだと思います。

1. 「I Can’t Give You Anything But Love」

Lucky Thompson (ts), Michel Hausser (vib), Martial Solal (p), Jean-Pierre Sasson (g), Pierre Michelot (b), Gerard Pochonet (ds)
Paris, France, March 24, 1956

2. 「Gone With The Wind」

Lucky Thompson (ts), Henri Renaud (p), Benoit Quersin (b), Roger Paraboschi (ds)
Paris, March 7, 1956

3. 「Where Or When」

Lucky Thompson (ts), Billy Taylor (p),Sidney Gross (g) ,Oscar Pettiford (b), Osie Johnson (ds)  New York, October, 1954

典型的な中間派の演奏です。

4. 「Blues’n’ Boogie」

Lucky Thompson (ts) ,Tete Montoliu (p), Eric Peter (b), Peer Wyboris (ds)
Barcelona, Spain, May 1 & 2, 1970

晩年の秀作だと思います。

Buddy Tate and Lester Young by Burt Goldblatt Collection

(3) バディー・テイト(1913~2001)
テキサス州出身、ハーシャル・エヴァンスが急逝した後、カウント・ペイシー楽団に1948年まで10年間在籍します。その後は、ハーレムのナイトクラブ「セレブリティ・クラブ」のホストバンドの仕事を1970年代初めまでつとめます。1960年代は少しかったるい吹込みもありましたが、1970年代から晩年まで、好調を持続して豪快なテナーを聴かせてくれました。

1.「One O’clock Jump」
Pat Jenkins (tp) Eli Robinson (tb) Ben Richardson (cl,as,bar) Buddy Tate (ts) Skip Hall (p) ,Carl “Flat Top” Wilson (b) Bobby Donaldson (d) Inez Washington (vcl)
New York, November 28, 1954

セレブリティ・クラブ・オーケストラで、お馴染みの曲です。

2.「I Surrender Dear」を選曲されましたが、音源の関係で「Body and soul」に差し替えさせて頂きます。

Buddy Tate (ts),Tete Montoliu (p), Bo Stief (b), Svend-Erik Norregaard (ds)
Live “La Fontaine”, Copenhagen, Denmark, September 24, 1975

デンマークのクラブでのワンホーン、後期の代表作。

3.「Jive At Five」

Doc Cheatham (tp), Vic Dickenson (tb), Buddy Tate (ts), Johnny Guarnieri (p),George Duvivier (b), Oliver Jackson (ds)  Antibes Jazz Festival, Antibes, France, July 23, 1975

中間派のオールスターズの演奏です。

4. 「Topsy」

Al Grey (tb), Buddy Tate (ts), Richard Wyands (p), Major Holley (b) Al Harewood (ds) N.J., April 28, 1984

僚友アル・グレイとの楽しい演奏です。

三人の共通項は、カウント・ベイシー楽団に所属していたこと。ヨーロッパで活躍したこと。スイ ング時代からモダンジャズにかけてのいわゆる「中間派」(ドン・バイアスは自分は違うぞと言うで しょうが)を代表する黒人のテナー奏者であること。今回、一括りで紹介するのは、時間的に無理がありましたが、楽しんでもらえれば幸いです。

僭越ながら、ブログ作成者から映像等を追加させて頂きます。

「Don Byas in Paris, 1946-54」(JazzWax記事から)

こちら ▶️

「Texas Tenors Part Two – Buddy Tate」(KTRU JAZZから)

こちら ▶️

Lucky ThompsonがBobby Jasparと共演した映像

 

Billy Taylor(5)

May 15.2016

Billy began recording with his own group during the early 1950’s for such labels as Prestige, Riverside, ABC Paramount, Impulse!, Sesac, Mercury and Capitol Records.

He has also composed over three hundred and fifty songs, including “I Wish I Knew How It Would Feel To Be Free,” as well as works for dance and symphony orchestras.

Then he began writing about jazz and giving lectures/clinics to music teachers interested in teaching jazz.

In addition he appeared regularly on radio and television.

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Photo above of Leonard Feather

Critic Leonard Feather once said, “It is almost indisputable that Dr. Billy Taylor is the world’s foremost spokesman for jazz.”

Dr. Taylor had a long career at National Public Radio, first as the host of “Jazz Alive” in the late 1970s.

Then “Billy Taylor’s Jazz at the Kennedy Center” from 1994 to 2002.

He was the artistic director for jazz at the JFK Center for many years.

About his achievement,please refer to his Official Website.

http://www.billytaylorjazz.com/bio.php

 

 

 

Billy Taylor(4)

May 14.2016

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I quoted precious interview from JazzWax.[April 9, 2009]

In August 1950, he played at a famous Apollo Theater concert with Stan Getz and Charlie Parker.

It was the first time Bird played a live concert with strings.

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Monte Kay who was Birdland’s manager heard his performance at Apollo Theater.

Then Monte Kay hired him as house pianist.

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キャプションの入力

In 1951 he played in a group at Birdland that included Dizzy Gillespie and John Coltrane.

About John Coltrane he said:

”Coltrane was quiet. One of the things he talked to me about was Art Tatum. He wanted to know everything about him. He was very excited about Art’s technique. “How does he do that,” Trane said. “It sounds like a glissando.””

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In September 1951, he played with Miles Davis.

About Miles Davis he said:

”Miles was strange. I had met him on 52nd St. when he was playing with Bird. He was scuffling with those charts, replacing Diz and stuff like that. It must have been driving him crazy. He really didn’t have the chops for that. He was a nice young man but he was really turned around because he was frustrated. He couldn’t keep up.”

Billy Taylor(3)

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I quoted precious interview from JazzWax.[April 7〜8, 2009]

By 1943 he arrived in New York.

He went to Minton’s, where was in Harlem on 118th Street.

Ben-Webster

One night he sat around all night, from 9 pm to 2:45 am.

When he got his play on the last set,Ben Webster was standing right in front of him.

Ben was pleased with his piano,and he was told to come to Three Deuces.

After several months he left Ben’ group,and played with violinist and bandleader Eddie South.

In the fall of 1945 he played with legendary drummer Big Sid Catlett.

Redman

In 1946 he joined Don Redman’s band and toured Europe.

This tour was one of the earliest tours after the war.

Don Byas decided to settle permanently in Europe by this tour.

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Returning from Europe in 1947, he became Art Tatum’s protege.

About remembering Art’s personal life,

he said:”Art was an interesting guy.He loved jazz and classical music.

He listened to a lot of different things.

There was aradio program on at 10 in the morning that featured great classical pianists.

I’d bring him home to the hotel in midtown where he stayed after he played all night.

Nightclubs closed at 4 am then. By the time we went somewhere to catch a bite or hit an after hours club, it was 8 am.

I’d bring him up to his room, and he always wanted to listen to this radio program of solo classical pianists like [Vladimir] Horowitz.”

Billy Taylor(2)

May 12.2016

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I quoted precious interview from JazzWax.[April 06, 2009]

He listened many jazz records by Wallace Conway, who was his friend and lived nearby.

Wallace Conway’s father painted movie posters for all the black theaters in our neighborhood.

Wallace Conway’s father and Duke Ellington had gone to school together as art students when they were teenagers.

Duke_Ellington_-_publicity

Therefore it seems that he became to like Duke Ellington.

http://thehowardtheatre.com/history/

His house was so close to famous ‘The Howard Theater’ in Washington, D.C.

He said:

”Many of the other big-name bands had come into the Howard once or twice before Duke came for the first time. So when he played there, it was a really big deal. His music was so different from everything else you heard. And everything about Duke was special. I remember standing outside and watching the guys in his band.’’

Fats Waller was his idols.

He deeply regretted not having talked to Fats Waller.

He said:

”As I’m standing backstage, Fats passed by with his entourage, and I just stared at him. I didn’t have nerve enough to say anything. […]
Fats went around the corner on U Street to a hamburger place. I came in soon after and took a seat as close as I could but far enough not to be noticed. I just sat and listen to him tell some stories. Then he and his group got up and left. And I hadn’t said a word. ”

Billy Taylor(1)

May 10.2016

BILLY TAYLOR

Recently, I’m reading a book on jazz, which was written in English.

I have to study hard for my poor English.

Fortunately I found a good writer about jazz history.

The writer’s name is Billy Taylor.

This week I will post about his achievement.

He was born July 24, 1921,died December 28, 2010.

Since 1944, he got his start with Ben Webster’s Quartet on New York’s famed 52nd Street.

He then served as the house pianist at Birdland, the legendary jazz club where he performed with such as Charlie Parker, Dizzy Gillespie and Miles Davis.

Billy Taylor was the most influential jazz musicians of the twentieth century.

Also he had received his Masters and Doctorate in Music Education from the University of Massachusetts.

He was called ‘Dr. Taylor’.

He was on the Honorary Founders Board of The Jazz Foundation of America from 1989.

http://www.jazzfoundation.org