タグ別アーカイブ: Freddie Hubbard

I listened to the mourning radio program of George Avakian(3)

December 08. 2017

Photo by courtesy ©Burt Goldblatt/CTS Images George Avakian, Coleman Hawkins and Sonny Rollins
Newport Jazz Festival, July 6, 1963

Mr.Chris selected “My Song by Keith Jarrett” as the last song of the program.

My Song is an album which was released on the ECM label in 1978.

George Avakian had also contributed to the success of Keith Jarrett ,because he introduced Keith Jarrett to Manfred Eicher.

Photo above of Manfred Eicher and Keith Jarrett by courtesy of Stereophile.com

About Manfred Eicher,please refer to ECM HP.Go here

In 1968 George Avakian produced ”Life Between the Exit Signs by ”Keith Jarrett”on Vortex label.

Interestingly George Avakian wrote the liner notes of “Life Between the Exit Signs.”

Also in the program Creed Taylor’s work was broadcast.

I guess Creed Taylor is a great jazz producer.

Finally, please listen to “Goodbye” by Keith Jarrett.

Photo by courtesy of JazzTimes

DJのクリスさんは番組の最後に「Keith JarrettのMy Song」から「Country」を選曲されました。

My Songは1978年にECMレーベルで発売され今でも人気のあるアルバムです。

George AvakianはKeith JarrettをManfred Eicherに紹介しKeithの成功にも貢献していました。

Manfred EicherについてはECMのHPを参照してください。こちらをクリックして下さい

1968年、George AvakianはVortexレコード (アトランティック系列会社)でKeith Jarrettをリーダとする「Life Between the Exit Signs」を制作しました。

「Life Between the Exit Signs」のライナーノートにおいてGeorge Avakian自らがKeith Jarrettについて紹介した文章は興味深いです。(ラーナーノートを写真として添付しました)

又、私にとって嬉しいことにCreed Taylorの作品も番組で放送されました。

Creed TaylorはGeorge Avakian亡き後、ジャズ界では最高のプロデューサーであると思います。George Avakianとは関係ありませんが私の好きな演奏( CTI録音)を添付しました。

最後にKeith Jarrettによる「Goodbye」をお聞き下さい。


Keith Jarrett Trio
Here is Keith Jarrett Trio play “Life Between The Exit Signs”.
Keith Jarrett(p),Charlie Haden(double-bass),Paul Motian(ds)
May 4, 1967 NYC

Here is Freddie Hubbard plays “Sky Dive”.
Freddie Hubbard (trumpet) Alan Rubin, Marvin Stamm (trumpet, flugelhorn) Wayne Andre, Garnett Brown (trombone) Paul Faulise (bass trombone) Tony Price (tuba) Hubert Laws (flute, alto, bass flute) Phil Bodner (flute, alto, bass flute, bass clarinet, piccolo) Romeo Penque (flute, alto flute, clarinet, oboe, English horn) George Marge (flute, alto flute, clarinet, bass clarinet) Wally Kane (bass clarinet, piccolo) Keith Jarrett (piano, electric piano) George Benson (guitar) Ron Carter (bass) Billy Cobham (drums) Airto, Ray Barretto (percussion) Don Sebesky (arranger, conductor) Van Gelder Studio, Englewood Cliffs, NJ, October, 1972

Photo by curtesy of ECM Records

Here is Keith Jarrett and Charlie Haden play “Goodbye”.
Keith Jarrett(p),Charlie Haden(double-bass) NJ, March, 2007

Photo by Wikipedia

The Jazz Foundation of America helped Freddie Hubbard

December 20. 2016

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Recently I found an interesting clip of Freddie Hubbard by Jazz Profiles.

Here is Freddie Hubbard plays “Caravan”.Go here

Freddie Hubbard passed away on December 29, 2008.

Today I want to post about Freddie and the Jazz Foundation of America.

Despite his brilliant achievement,he did not have his health insurance.

For years he was covered by his wife’s health insurance plan.

In 2002 he suffered congestive heart failure.

Unfortunately after they lost their coverageshe lost,she lost her job.

Finally they spent all their savings on medical bills.

Freddie Hubbard came to the Jazz Foundation of America for help in 2002.

When he had congestive heart failure and couldn’t work, the Jazz Foundation paid his mortgage for several months and saved his home.

Also his funeral was solemnly held by the Jazz Foundation of America.

Here is Freddie Hubbard plays “Sky Dive”.

 

 

 

 

 

Benny Golson in Osaka(4)

December 01. 2016

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Photo by BlueNote Tokyo

I want to introduce a terrific interview with Benny Golson.

I think this interview is the best article for understanding Benny Golson.

His interview is serialized five times at JazzWax.

Go (1)here and (2)here and (3)here and (4)here and (5)here

When I wrote to Marc Jazz Wax Myers about his saxophone,Mr.Marc replied to my comment.

It is described below.

Takafumi Hirano /react-text react-text: 116 /react-text
In Japan, he seems to be popular as a composer than the musicians.However, I think his saxophone sound is the sound of a real tenor. This video I think great performance even look many times.
Like · Reply · November 29, 2015 at 8:08pm

react-text: I agree, Takafumi. Thanks.
Like · Reply · December 1, 2015 at 6:05am

Here is Benny Golson plays “Whisper Not”.

Here is BENNY GOLSON QUINTET Live in Japan(1988).

Jimmy Heath(4)

October 27, 2016

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Today I will post his activities after getting out of prison.

In 1959 he was paroled.

Until then Heath had joined as a sideman, including sides with Gillespie, Miles, J. J. Johnson and Kenny Dorham.

But he had not recorded an album under his own name.

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Jimmy Heath and Orrin Keepnews [Photo from Jazztimes]

Jimmy Heath was contracted with Orrin Keepnews through Kenny Dorham ‘s help.

In September 1959 Orrin Keepnews produced his debut album “The Thumper”.

Then he had recording with Freddie Hubbard, Wynton Kelly, and other top players at that time in Riverside label.

He made the six albums as a leader for the label between 1959 and 1964.

Orrin Keepnews said about Jimmy Heath.

I quoted “Orrinology” from Jazztimes[March 2005].

“I’ve known Jimmy Heath since 1960. Kenny Dorham told me that Little Bird was coming to New York and I had to sign him! He wasn’t asking me, he was telling me. It turned out that Jimmy, whose reputation back then was that he was a damn good writer, had the ability to write quick charts for small groups. I put him right up there in this ability with Benny Golson.”

Here is Jimmy Heath Sextet play “For Minors Only”.

Here is Jimmy Heath and his big band play “Big ”P’’”.

Here is Jimmy Heath sextet play ” When Sunny Gets Blue ”

Here is Jimmy Heath sextet play “Gemini”.

Here is Jimmy Heath and Herbie Hancock with Brass play “Wall to Wall”.

Here is Jimmy Heath quintet play “Gingerbread Boy”.

Aurex Jazz Festival in Japan(2)

The concert program was terrific in those days.

A luxurious four bands had been organized by George Wein.

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The leader Benny Goodman :”King of Swing”

The leader Benny Carter: “Gentlemen of Swing”

The leader Dizzy Gillespie:”Battle of The Horns”

The leader Freddie Hubbard:”Jazz of The 80’s”

index

Benny Carter 84

Incidentally George Benson Group was scheduled to visit Japan.

However, he was not able to visit Japan.

So ‘Gentlemen Of swing’ had been organized by Benny Carter.

Expo’70 Commemorative Park, Osaka, Sep.6, 1980.
Benny Goodman(cl), Teddy Wilson(p), Tony Terran(tp), Dick Nash(tb), Eddie Duran(g), Al Obidinski(b), John Markham(ds)

Aurex Jazz Fest ’80, Yokohama Stadium, Japan, Sept. 7, 1980
Freddie Hubbard (tp),Joe Henderson (ts),George Duke (keyboards),Alphonso Johnson (b)
Peter Erskine (ds)

Creed Taylor(7) CTI Records(1970-78)

January 24.2016

In the late 1960s,Creed was changing in the music industry and jazz marketplace.Between 1969 and 1978, he paved the way for revolutionized LP packaging with photographer Pete Turner.  Pete created a more sophisticated and upscale image for jazz and jazz artists.

When jazz budgets were being slashed at major labels,Creed produced significant jazz albums using massive orchestras.
The concept of CTI was smart, like Stan Getz. It was going to be beautifully orchestrated, like Gil Evans’ arrangements for Claude Thornhill’s band.
And finally the sound was arranged by Don Sebesky.

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 In 1970, he produced Freddie Hubbard’s classic Red Clay.
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In 1972,he produced Deodato’s Prelude(2001), launching the electronic orchestral-jazz movement.
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In 1975,Jim Hall’s Concierto was arranged by Don Sebesky.

[side men] Chet Baker, Paul Desmond, Roland Hanna, Ron Carter and Steve Gadd

About this recording,he said,”As always, he was fantastic. Chet and Paul hadn’t worked together before. But each one could stand on his own. They fit together like peas in a pod.”

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[The beginning of failure]
In 1975, Warner Bros. came by our offices again to propose a deal.

They suggested that CTI and Warner Bros. alternate albums with George Benson.
The plan was George would record an album for Warner Bros, then the next one would be for CTI, and then back to Warner, and so George recorded Breezin’ in January 1976, which included ‘This Masquerade‘.The song was a massive hit. So we’d get the next album with George.But he did not recorded in CTI, though he belonged to CTI at that time.
Because Warner Bros. prevented him from recording with CTI as a solo act.