タグ別アーカイブ: Gary Peacock

大阪ジャズ同好会第37回例会(2019年6月9日) 特集「ベーシストに注目してジャズを楽しむ」

June 10,2019

特集「ベーシストに注目してジャズを楽しむ」

ナビゲーター浦谷敏行氏のコメントです。

普段はリズムをキープして、演奏の下支えの役割を果たすベース。 今回は、そんな縁の下を支えるベーシストに着目します。(と言っても、前に出てきて弾 きまくるベーシストも出てきますが。)

今回の概要では、当日ご紹介されたベーシストの映像等を追加添付させて頂きました。

1. Ray Brown
Here is Milt Jackson Quintet play “Frankie And Johnny”.
Milt Jackson (vib), Ray Brown (b), Teddy Edwards(ts), Monty Alexander(p), Dick Berk(ds)
Live “Shelly’s Manne-Hole”, Hollywood, August 1 & 2, 1969

Here is Ray Brown play Solo Bass on “Black Orpheus”.

2. Paul Chambers
Here is Red Garland Trio play “C Jam Blues”.
Red Garland(p), Paul Chambers(b), Art Tylor(ds)
Hackensack, N.J., August 9, 1957

映像がございませんので、小生(平野)が以前ブログに記載したエピソードを紹介します。

マイルスが上記自伝でポール・チェンバースについて興味ある発言をしています。

翻訳せず引用します。(酒と女の話です)

Anyway, on this trip to Rochester, Paul is drinking zombies. I ask him, “Why do you drink shit like that? Why you drink so much, Paul?”
And he says, “Aw, man, I can drink all I want. I can drink ten of these and it wouldn’t bother me.”
”Drink ‘em and I’ll pay for them,” I told him. And he said, “Okay”.
The only downer for me, really, during this entire first trip was that Paul Chambers was staying with Bird’s ex-wife, Doris Sydnor, in her hotel room at the Sutherland Hotel. So he kept her to himself while we were there. I think he was a little disappointed that I didn’t like Doris, though. He probably figured she was a catch, a feather in his cap, being Bird’s former old lady.

3. Scott Lafaro
Here is Pat Moran Trio play “Blues”.
Pat Moran(p), Scott LaFaro(b), Johnny Whited(ds)
New York, December, 1957

Here is Richie Kamuca and Frank Rosolino Quintet with Scott LaFaro play “Cherry”.
Richie Kamuca(ts), Frank Rosolino(tb), Scott LaFaro(b),Victor Feldman(p), Stan Levey,(ds)
LA,7 April,1958

Photo above of Scott LaFaro’s car following his fatal accident
(JazzWaxさんから事故現場の写真をお借りしました。July 02, 2016)

4. Gary Peacock
Here is Bill Evans Trio play “A Sleeping Bee”.
Bill Evans(p), Gary Peacock(b), Paul Motian(ds)
New York, December 18, 1963

Here is Ralph Towner & Gary Peacock play “The Prowler”.

5. Marc Johnson
Here is Bill Evans Trio play “Up With The Lark”.
Bill Evans(p), Marc Johnson(b), Joe LaBar bera(ds)
1979

Here is Bill Evans Trio play Jazz at the Maintenance Shop (1979)

6. Charlie Haden
Here is Charlie Haden and Kenny Barron play “You Don’t Know What Love Is”.
Charlie Haden(b), Kenny Barron(p)
Live “The Iridium”, New York, September 20, 21 & 22, 1996

Here is Charlie Haden “In Memoriam”.

7. Niels-Henning Orsted Pedersen
Here is Tete Montoliu Trio play “Giant Steps”.
Tete Montoliu(p), Niels-Henning Orsted Pedersen(b), Albert Tootie Heath(ds)
Copenhagen, Denmark, May 28, 1974

Here is Joe Pass & Niels-Henning Orsted Pedersen play “Tricostin”.

8. George Mraz
Here is Tommy Flanagn Trio play “Mr. P.C”.
Tommy Flanagn(p), George Mraz(b), Al Foster(ds)
New York, February 17 & 18, 1982

Here is George Mraz and Camilla Mraz(妻) Trio “Sad history”.

ジョージ・ムラーツさんを援助する寄付サイトがございます。
2016年7月の膵臓の手術及びその後のリハビリのために多額のお金が必要だそうです。

詳細はこちら ▶️
又、上記以外の情報についてはJazz Club Over Seas(大阪メトロ堺筋本町駅12番出口)にご訪問下さい。

HPはこちらをクリック 

The Jazz Workshop(8)

February 15.2017

48140

Photo above of Masabumi Kikuchi from JazzTokyo

Photo above of the Flyer(SJ Jazz Workshop-3) courtesy of 十和堂(towa33.com)

Photo above of the Flyer(SJ Jazz Workshop-3) courtesy of 十和堂(towa33.com)

Sadao Watanabe talked about Masabumi Kikuchi(菊地雅章) in last week’s radio broadcast.

“When I returned to Japan from Berklee College of Music,Kikuchi was the earliest appeared in front of me.
He begged for me to teach about Berklee’s theory.
He was quick to understand and no musician with an excellent sense of harmony than Kikuchi.”

Sadly, two year ago Masabumi Kikuchi passed away in New York, aged 75.

Please refer to Masabumi Kikuchi(菊地雅章). Go here

Photo above of Gary Peacock by news.allaboutjazz.com

Photo above of Gary Peacock by news.allaboutjazz.com

I quoted R.I.P.: Masabumi “Poo” Kikuchi (1939-2015) from JazzTokyo.

Gary Peacock ● A constant source of inspiration for me

I too was saddened to hear of Poo’s demise…a fate we all must ultimately encounter.As you know, it was through Poo that I was able to record two albums for Sony records while living in Japan.Poo’s spirit of musical adventure and strong commitment to discovering his ‘sound’ remains a constant source of inspiration for me. His last recordings with guitar and bass are true evidence that he DID discover his ‘voice’.I will miss him but I will not miss his spirit which is with me 24/7.

僕にとっての絶えざるインスピレーションの源泉いつかは僕らの誰もが受け入れざるを得ない運命とはいえ、Pooの逝去を聞き悲嘆に暮れている。知っての通り、僕が日本に滞在中、2枚のアルバムをソニー・レコードに録音できたのはPooのお陰だ。Pooの音楽における冒険心、自分の“音”見つけようとする強力な執着心はいつも僕にとってのインスピレーションの源泉だった。彼がギターとベース(訳注:トッド・ニューフェルドg、トーマス・モーガンbによるTPTトリオ)との3人で最後に遺した一連の録音は、彼がついに自分の“ヴォイス”を見つけたという何よりの証拠だ。彼がいないのは寂しいが、彼のスピリットはつねに僕の中にいる。(ベーシスト)

Here is the montage of Masabumi Kikuchi(菊地雅章)”Out of Bounds”.

Here is Masabumi Kikuchi plays “Freedom Jazz Dance”.

Here is Gary Peacock plays “梵鐘 Bonsho”.